Raw Workflow for Film Photography

Raw Workflow for Film Photography

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Added by Admin in David Hancock


I'm often asked about my raw editor workflow for film photography, and why it's better than using scanned jpegs. In a nutshell, there's far greater control over image detail and data recovery in the shadow and highlight areas. The level of control is akin to an actual darkroom and far exceeds the level of control afforded by a scan. This video attempts to illustrate some of what makes digitizing film with a DSLR so powerful a tool for photographers.

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Gear I used for Filming and Editing:
Video Capture and Film Digitization- Pentax K-3 (http://www.ricoh-imaging.co.jp/english/products/k-3/)
Secondary Capture- Sony CX330 (http://www.sony.com/electronics/camcorders/t/handycam-camcorders)
Lens- Pentax 31mm FA Limited (http://www.pentaxforums.com/lensreviews/SMC-Pentax-FA-31mm-F1.8-Limited-Lens.html)
Off-camera Audio- Tascam DR-60MKII and Tascam DR-05 (http://tascam.com/product/dr-60dmkii/ and http://tascam.com/product/dr-05/)
Video Editing- Sony Movie Studio Platinum (http://www.vegascreativesoftware.com/us/vegas-movie-studio-product-comparison/)
Audio Processing- Adobe Soundbooth (https://www.adobe.com/sea/products/soundbooth/)

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